House of Blues
I was trying at the very least to show off, at the most attract attention,
at the outside get some love from my mother and sister—
so me and my lover took them down the Sunset Strip for both holidays.
That year Christmas and Hanukkah fell in bed together (calendar-wise)
so mother being of one, sister the other, I knew I’d make it to family hero status
getting everybody together at the House of Blues Sunday Gospel Show.
But no.
Us up in the creaky balcony stage left, soul and gospel singing below,
champagne and music glittering all over us, Miss Blue Diamond stepped forth
in footlights, said if anybody wanted to get up on stage and sing, come on!
I swallowed bubbles, skipped stairs, got on stage, into Blue Diamond’s arms
(she saw me coming), who then released me covered in some kind of a RED
perfume, singing—I knew all the words, someone pushed me
with the pink-feathered pump of her foot
into the footlights, and I threw my hat into the crowd.
Minutes later, back up in the balcony, happy as all get-out,
my lover told me behind their backs that mother and sister,
during all that, were turned away from the stage
facing away, they were not going to look at nor enjoy me.
That almost made me cry when I went to the bathroom
as mother and sister asked for the check, parking validation,
and if anyone had found my hat, but I didn’t. (Well, of course I cried.)
Instead, I smiled. I mean, really smiled. At the me in the mirror.
Those two turned away from me in the House of Blues in Hollywood,
just like they turned away from me from everywhere,
wherever I was, anywhere, and in that house of blues I grew up in.
But so what?
Who needs an audience, parking, or any other kind of validation
to get up on (your own) stage?
I was, at last, as always—happy as all get-out. (I got out!)